Herbert Bayer

1924

Landschaft im Tessin

Musée Folkwang

1936

Dunstlöcher 1936/11

LWL-Museum für Kunst und Kultur

1936

Dunstlöcher in Weiß

Neue Nationalgalerie

1937

Tageszeiten. (Triptychon, rechter Teil)

Collection de peintures de l'État de Bavière

1937

Tageszeiten. (Triptychon, linker Teil)

Collection de peintures de l'État de Bavière

1937

Tageszeiten. (Triptychon, mittlerer Teil)

Collection de peintures de l'État de Bavière

1942

Waste Paper to Package, from the Early Series

Smithsonian American Art Museum

1942

Paperboard Packs a Mighty Wallop, from the Early Series

Smithsonian American Art Museum

1944

Exfoliation

Musée Busch-Reisinger

1945

Blue Movement

Musée d'Art moderne de San Francisco

1948

Convolutions in Gray

Seattle Art Museum

1948

Mountain Lakes

Österreichische Galerie Belvedere

1949

Transformations

Österreichische Galerie Belvedere

1949

Foliage

Österreichische Galerie Belvedere

1950

Verdure

Musée Busch-Reisinger

1950

Study for Verdure

Musée Busch-Reisinger

1955

Heated Calm

Whitney Museum of American Art

1957

We both consider the people as our children and love them with parental affection but you love them as infants whom you are afraid to trust withoutnurses and I as adults whom I freely leave to self-government.--Thomas Je

Smithsonian American Art Museum

1958

Acropolis

Österreichische Galerie Belvedere

1958

The Bridge

Musée d'Art moderne de San Francisco

1960

Constellation

Österreichische Galerie Belvedere

1961

Image

Österreichische Galerie Belvedere

1964

The art of progress is to preserve order amid change and to preserve change amid order."--Alfred North Whitehead (1861-1947). From the series Great Ideas of Western Man.

Smithsonian American Art Museum

1966

Reason Is Language, Logos."--Johann Georg Hamann (1730-1738). From the series Great Ideas.

Smithsonian American Art Museum