Carrie Mae Weems

1990

Untitled (Woman standing alone)

National Gallery of Art

1990

Untitled (Woman feeding bird)

Photographs in the National Gallery of Art

1990

Untitled (Nude)

Photographs in the National Gallery of Art

1990

Untitled (Woman playing solitaire)

National Gallery of Art

1990

“He felt her demands for more than he could presently give would cause her to lose a good thing.”

National Gallery of Art

1990

“She’d been pickin em up and layin em down, moving to the next town for a while, needing a rest, some moss under her feet, plus a solid man who enjoyed a good fight with a brave woman.”

National Gallery of Art

1990

“Looking her up, down, sideways he said, 'So tell me baby, what do you know about this great big world of ours?

Estampes de la National Gallery of Art

1990

“She felt monogamy had a place but invested it with little value.”

National Gallery of Art

1990

“In their daily life together trouble lurked.”

Estampes de la National Gallery of Art

1990

“She insisted that what he called domineering was a jacket being forced on her because he couldn’t stand the thought of the inevitable shift in the balance of power.”

National Gallery of Art

1990

“She was a woman socially involved, loved to run her mouth, to talk things through.”

National Gallery of Art

1990

“Seeking clarity and purpose, she spoke about the problems with her momma who said, 'There’s a difference between men and women.'”

National Gallery of Art

1992

Run, Nigger, Run

National Gallery of Art

2001

Not Manet's Type

Estampes de la National Gallery of Art

2001

Not Manet's Type

Vanderbilt University Fine Arts Gallery

2002

After Manet

National Gallery of Art

2002

May Flowers

Photographs in the National Gallery of Art

2010

Slow Fade to Black II

National Gallery of Art