John Thomas Smith

1817

The Reconcilation

Centre d'art britannique de Yale

1817

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Centre d'art britannique de Yale

1817

Original Drawings Illustrating the Life of Hogarth by J. T. Smith

Centre d'art britannique de Yale

1817

Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Centre d'art britannique de Yale

1817

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Centre d'art britannique de Yale

1817

Hogarth Declaring His Love to Miss Thornhill

Centre d'art britannique de Yale

1817

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Centre d'art britannique de Yale

1817

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Centre d'art britannique de Yale

1817

Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Centre d'art britannique de Yale

1817

Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Centre d'art britannique de Yale

1817

The Smock Exposed

Centre d'art britannique de Yale

1817

Hogarth Drawing Sarah Malcolm

Centre d'art britannique de Yale

1817

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Centre d'art britannique de Yale

1817

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Centre d'art britannique de Yale

1817

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty

Centre d'art britannique de Yale

1817

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Centre d'art britannique de Yale

1817

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Centre d'art britannique de Yale

1817

Hogarth Sitting to Roubiliac for His Bust

Centre d'art britannique de Yale

1817

Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Centre d'art britannique de Yale

1817

Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Centre d'art britannique de Yale

1817

The Eleventh Hour

Centre d'art britannique de Yale

1836

The Residence of George Stevens, F.R.S.

Centre d'art britannique de Yale

A Family Cooking Under A Tree

Centre d'art britannique de Yale

Man Beside a Stile

Centre d'art britannique de Yale