Période d'activité
Œuvres (96)
Estampe
1865
La Peur (Fear)
National Gallery of Art
1865
Le Gue (The Ford)
Estampes de la National Gallery of Art
1866
Cavalier Galopant (Galloping Horseman)
National Gallery of Art
1883
Quand s'eveillait la Vie au Fon de la matiere obscure (When life was awakening in the depths of obscure matter
Collection Rosenwald
1883
L'Aile impuissante n'eleva point la bete en ces noirs espaces (The impotent wing did not lift the animal into that black space
Estampes de la National Gallery of Art
1883
Le Satyre au cynique sourire (The Satyr with the cynical smile)
Collection Rosenwald
1883
La sirene sortit des flots vetue de dards (The Siren clothed in barbs, emerged from the waves
Estampes de la National Gallery of Art
1883
Et l'homme parut, interrogeant le sol d'ou il sort et qui l'attire, il se fraya la voie vers (And Man appeared; Questioning theearth from which he emerged and which attracts hi m, he made his way toward somber brightness)
National Gallery of Art
1883
Il y eut peut-etre une vision premiere essayee dans la fleur (There was perhaps a first vision attempted in the flower
Collection Rosenwald
1883
Il y eut des luttes et des vaines victoires (There were struggles and vain victories)
National Gallery of Art
1883
Le Polype difforme flottait sur les rivages, sorte de cyclope souriant et hideux (Thedeformed polyp floated on the shores, a sort of smiling and hideous Cyclops
Estampes de la National Gallery of Art
1886
Cain and Abel
National Gallery of Art
1886
A La Vieillesse (To Old Age)
Estampes de la National Gallery of Art
1886
Profil de lumiere (Profile of light)
National Gallery of Art
1887
Christ
National Gallery of Art
1887
Christ
Estampes de la National Gallery of Art
1888
C'est le Diable
Estampes de la National Gallery of Art
1889
La Mort: Mon ironie depasse toutes les autres! (Death: My iron surpasses all others!)
National Gallery of Art
1889
Une longue chrysalide couleur de sang (A longchrysalis, the color of blood)
National Gallery of Art
1889
Saint-Antoine...A travers ses longs cheveux qui lui couvraient la figure, j'ai cru reconnaitre Ammonaria (Saint Anthony: "Beneathe her long hair , which covered her face, I thought I recognized Ammonaria)
National Gallery of Art
1889
Frontispiece
National Gallery of Art
1889
Les Sciapodes: La tete le plus bas possible, c'est le secret du bonheur! (The Skiapods: "The head as low as possible, that is the secret of happiness!")
Collection Rosenwald
1890
Sans cesse a mes cotes s'agite le demon (Ceaselessly by my side the demon stirs)
National Gallery of Art
1890
Sur le fond de nos nuits dieu de son doigt savant dessine un cauchemar multiforme et sans treve (On backdrop of our nights God with His knowing finger traces a multiform implacable nightmare)
National Gallery of Art
96 œuvres